Microphones
 

 

a. Shutgun Microphones:

AT897 Line + Gradient Condenser Microphone
Audio-Technica’s AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.

  • Designed for video production and broadcast (ENG/EFP) audio acquisition
  • Short length (11") ensures mic stays out of the shot -- even when used with compact digital cameras
  • Smooth, natural-sounding on-axis audio quality
  • Provides the narrow acceptance angle desirable for long-distance sound pickup
  • Excellent sound rejection from the sides and rear of mic
  • Switchable low-frequency roll-off
  • Operates on battery or phantom power
  • RoHS compliant—free from all substances specified in the EU directive on hazardous substances


AT4071a Line + Gradient Condenser Microphone
With directivity equal to mics up to 50% longer, the AT4071a has been specially created to meet the critical long-distance pickup demands of broadcasting, film/TV sound, professional recording, wildlife recording and theater sound reinforcement. It is particularly useful for miking dynamic action in film/TV audio as well as in “spot” miking techniques in the music studio or theater. The mic provides extremely high output and a noise floor that is hardly measurable, much less audible. It may be used with confidence in distant miking applications and even under the stringent demands of modern digital recording systems. Audio-Technica has pioneered a unique interference tube design* in the AT4071a and AT4073a shotgun mics that provides the same directivity as mics up to 50 percent longer.

  • Designed for critical long-distance pickup in broadcasting, film/TV production, and theater sound reinforcement applications
  • Direct-coupled, balanced output ensures a clean signal even in high-output conditions
  • Exclusive acoustic design* provides same directivity as mics up to 50% longer
  • Switchable 150 Hz hi-pass filter
  • Rugged housing made of lightweight structural-grade aluminum alloy
 

b. Handheld Microphones

i. Cardoid “AT8031 - Cardioid Condenser Handheld Microphone 
The AT8031 is ideal for close-up interviews, vocals, overheads, piano, and strings. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. The mic’s proximity effect provides added warmth when used close up. Features include a large protective screen that reduces “popping” and sibilant distortion. It operates on battery or phantom power

  • Ideal for close-up vocals, overheads, piano and strings
  • Low-mass diaphragm ensures minimum distortion
  • Cardioid pattern provides added warmth when used close up
  • Operates on battery or phantom power
  • RoHS compliant—free from all substances specified in the EU directive on hazardous substances

 


ii. Omni-Directional: “AT804”

  c. Lavalier / Lapel Microphones: AT899

 

d. Gooseneck Microphones: AT808G

 

e. Presenter Microphones: AT892 Microset

 

  f. Wireless Mics

i. Handheld:

1. AEW-T5400
2. AEW-T3300
3. AEW-T4100
4. AEW-T6100
5. ATW-T341
6. ATW-T371

ii. Transmitters / Receivers:

1. AEW-R5200
2. AEW-R4100
3. ATW-R1820
4. ATW-R1810
5. ATW-T1801
6. ATW-T1802
7. ATW-T310
8. AEW-T1000